ギターが創造する旋律の調べ
そして、その音源を力強く生み出す
サウンドホール
その中は異なる奏法がもたらす
目には見えない周波数の波形が
その振幅と重なり合い共鳴する

Gitā ga sōzō suru senritsu no shirabe,
Soshite,sono ongen o chikarazuyoku umidasu
Saundohōru
Sono naka wa koto naru sōhō ga motarasu
Meniwa mienai syūhausū no hakei ga
Sono shinpuku to kasa nariai kyōmei suru

♯♯♯♯♯♭♭♭♭♮♮♮♮

ストローク
ひとつの音は打ち消され
全体としての進行を優先する
そこに要求される特性は
リズムの規則性とアクセントの正確性
そのメロディーは統率しリードする

Sutorōku
Hitotsuno oto wa uchikesare
Zentai toshiteno shinkō o yūsen suru⁑⁑⁑⁑⁑⁑⁑⁑⁑⁑⁑⁑⁑⁑⁑⁑
Sokoni yōkyu sareru tokusei wa
Rizumu no kisokusei to akusento no seikakusei
Sono merodī wa tōritsu shi rīdo suru

アルペジオ
ひとつの音が途切れることなく
複数の音が余韻を残して響きあう　それは
それは高い位置から深く沈みつつ
低い位置から緩やかに上ってゆく
そのメロディーは音階を支配する

Arupejio
Hitotsuno otoga togireru kotonaku
Fukusū no otoga yoin wo nokoshite hibikiau Sorewa
Takai ichi kara fukaku shizumitsutsu
Hikui ichi kara yuruyakani nobotteyuku
Sono merodī wa onkai o shihai suru

フィンガーピッキング
ひとつの音が互いに交差し
結びついた綾となり紡ぎだす
ある時は軽快にリズムを刻み
ある時は重奏な調べを刻む
そのメロディーは伴奏を務める

Fingā pikkingu
Hitotsuno oto ga takaini kōsashi
Musubitsuita aya tonari tsumugidasu
Arutoki wa kēkaini rizumu o kizami
Arutoki wa jyūsō na shirabe o kizamu
Sono merodīwa bansō o tsutomeru

ソロ
ひとつの音が全体の合奏を凌駕し
自由に　高らかに　限りなく
個性を浮き彫りにする
孤独を　痛みを　希望をこめて
そのメロディーは独り歌いあげる

Soro
Hitotsuno oto ga zentai no gassō o ryōgashi
Jiyū ni takaraka ni kagirinaku
Kosei o ukibori ni suru
Kodoku o itami o kibō o komete
Sono merodī wa hitori utaiageru

ストローク、アルペジオ、フィンガーピッキング、ソロ
Sutorōku,Arupejio,Fingā pikkingu,Soro

ひとつひとつの奏法が
限られた時のなかで
自らの表現を展開する
音の創造という神秘的な営み
サウンドホール
そこは生命の創造にも通じる空間となる

Hitotsuhitotsu no sōhō ga
Kagirareta toki no kanade
Mizukara no hyōgen o tenkai suru
Oto no sozō toiu shinpiteki na itonami
Saundohōru
Sokowa seimei no sōzō nimo tsujiru kūkan tonaru

[Waka]
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いくつもの　重なる波が　交差する　五線描の　音源の海
Ikutsumono kasanaru nami ga kōsa suru gosen no egaku ongen no umi
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ENG:
The melody played by the guitar
and the sound source that plays it powerfully.
In it, invisible frequency waveforms created by different playing techniques
overlap and resonate with their amplitude.

Stroke
Single notes are canceled out, and the overall progression takes priority.
The desired characteristics are rhythmic regularity and accuracy of accents.
The melody emitted by each string becomes a chord.

Arpeggio
One note is not interrupted, and multiple notes resonate with lingering echoes.
It sinks deep from a high position and rises gently from a low position.
The melody emitted by each string dominates the scale.

Fingerpicking
Each note crosses each other , and the strings are spun together.
Sometimes they play a light rhythm, sometimes they play a melody with a chord.
The melody each string emits becomes the accompaniment.

Solo
A single sound surpasses the entire ensemble, freely and loudly highlighting infinite individuality.
The sound sings of loneliness, pain, and hope.
Each string plays the melody that is the theme of the piece.

Stroke, arpeggio, fingerpicking, solo

Each playing technique develops its own expression within a limited time.
The mysterious act of creating sound, the sound hole.
It is a space that is also connected to the creation of life.

[Short Poem]
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Many overlapping waves intersect
A sea of sound sources drawn
by musical staves
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